Wonderfully surreal, painfully real, this is the story of children, adults and animals who live together trying to have a better life, but sometimes death comes unexpectedly. The lives of three characters surrounded by a bunch of extraordinary, funny, absurd but quite realistic events. It is all about us, people who eat the animals that they love and the animals that love people unconditionally.

Domestic (as long as it lasts) was made in 2002 in Gordon’s one-bedroom apartment in downtown New York City. It shows the artist’s foot repeatedly kicking the camera around a clean, quiet domestic space until the video blacks out. The victim of the booting, the camera itself, is recording the footage we see. The viewer is disoriented by the film’s upsetting of the conventional relationship between documenting and participating, which makes the camera complicit in the act.

On a sunny morning in Eversley, Hampshire, Jackson and Natalie planned an adventurous day out for their 14-year-old son, Kevin. They decided to visit Leisure Matters, a renowned outdoor activity center owned by Jackson's old friend, Richard. Kevin, brimming with excitement, had even invited a few of his friends to join in the fun. When the group arrived at Leisure Matters, Richard was there to greet them with a warm smile. "Welcome, everyone. You're in for a day packed with adventure," he said. Richard, a seasoned outdoor enthusiast, had everything ready for them-paintball guns, archery equipment, even army-style uniforms for an immersive experience. Kevin and his friends eagerly donned the camouflage uniforms, their faces lighting up as they imagined themselves as action heroes. Jackson and Natalie joined in too, ready to embrace the fun.

The first episode in a series of “adaptations” of poet Bernadette Mayer’s book Utopia that artist Beatrice Gibson envisions to undertake over the next decade, producing a series of small, quotidian films that together, and over time, will constitute an epic. This first film is drawn from Chapter 4, entitled “The Arrangement: of Houses & Buildings, Birth, Death, Money, Schools, Dentists, Birth Control, Work, Air, Remedies, and So on” and was shot at home during the pandemic.

The first episode in a series of “adaptations” of poet Bernadette Mayer’s book Utopia that artist Beatrice Gibson envisions to undertake over the next decade, producing a series of small, quotidian films that together, and over time, will constitute an epic. This first film is drawn from Chapter 4, entitled “The Arrangement: of Houses & Buildings, Birth, Death, Money, Schools, Dentists, Birth Control, Work, Air, Remedies, and So on” and was shot at home during the pandemic.

Natsuo is a high school boy who is experiencing the crushing despair of unrequited love. To make matters worse, the person he is in love with is his teacher, Hina. In an attempt to lift his spirits, he attends a mixer where he meets a girl named Rui. The two sleep together, expecting never to see one another again, but fate has other plans. His life suddenly becomes more complicated when his father comes home and announces he has remarried a woman with two daughters whom Natsuo has met before: Hina and Rui!

Well-intentioned Marsha and David hire a foreign housekeeper, Sophia, to care for their new baby and put some 'sanity' back in their lives. What follows is a situation that spirals out of control. In a frenzy to find an American husband before her visa expires, Sophia manipulates poor Marsha and David into caring for her ten-year-old daughter while she goes on a dating marathon. Pretty soon, who is employing whom, becomes the question. Also thrown into the mix are Marsha's hypochondriac father, Sophia's eccentric Mama and cousin Sasha from the Moscow circus.

Domestic Life is an American sitcom that aired on CBS from January 4, 1984 to September 11, 1984. Film star Steve Martin served as executive producer.

Bill places a happy midnight call to a friend, after a wild night, little does he know what is in store in the morning.

On the brink of their 30s, five longtime college friends get together for a goodbye trip, but their countryside retreat turns sour when they lose their dogs in the woods, resurfacing old animosities and affairs.